FENWOLD OPERA WILL GIVE A PERFORMANCE OF HANDEL’S TRAGIC MUSICAL DRAMA “HERCULES” ON 7th FEBRUARY 2026 AT 7.00 pm AT THE SAM NEWSOME MUSIC CENTRE IN BOSTON
TICKETS MAY BE OBTAINED FROM WWW.FENWOLDOPERA.COM
FENWOLD OPERA WILL GIVE A PERFORMANCE OF HANDEL’S TRAGIC MUSICAL DRAMA “HERCULES” ON 7th FEBRUARY 2026 AT 7.00 pm AT THE SAM NEWSOME MUSIC CENTRE IN BOSTON
TICKETS MAY BE OBTAINED FROM WWW.FENWOLDOPERA.COM
The Aaben Duo are Nathan Holroyd Saxophone and Jess Hughes Harp and they appeared at our second concert of the season by kind permission of the Royal Northern College of Music. Saxophone and Harp is an unusual combination of instruments and an effective one.
The concert began with a Nocturne by Lili Boulanger and arranged by Nathan – it was originally scored for viola and piano but it does work very well with the harp and saxophone and was a wonderful beginning to the concert. This was followed by “Eolienne” by Ida Gotkovsky, who was a pupil of Lili Boulanger’s sister, Nadia. This piece was in five movements and I particularly liked the mellow sound that the saxophone made in the third movement. Nathan also showed great skill and verve in the fourth movement Perpetuum Mobile.
The third piece of the evening was Debussy’s “La fille aux cheveux de lin” (The Girl with Flaxen Hair” as I know it best!) This was played beautifully and, although the saxophone appeared to dominate, Jess’s superlative playing of the harp was a joy to listen to.
Then we heard Joseph Bologne’s Sonata for Flute and Harp in E flat major. The harp seemed to be dominant in the first movement, playing a lovely, lilting melody and this was echoed by the saxophone turn and turn about and then as a duo. Both instruments were in harmony during the second movement and the third movement had a lovely tune played turn and turn about by both instruments.
Next, we had Andy Scott’s Sonata for Saxophone and Harp, Nathan told us that Mr Scott is a tutor of Saxophone. This piece was originally written for flute and harp and is in three movements. Keith Osborne’s splendid programme notes says that this music shows influences of Eastern European music and jazz. Which it does. I liked the second movement with a harp solo to begin with – very quiet and then the saxophone joined in the same gentle theme. The third movement was very jazz oriented on both saxophone and harp with the addition of percussion on the harp.
This was followed by a topical piece of music, Jenni Watson’s “Dowpour”, beautifully played on the saxophone by Nathan.
Then Jess played a solo on the harp, this music was a lullaby written by Caroline Lizotte whilst the composer was pregnant. It was a wonderful piece of music superlatively played. But first, Jess told us a little about her harp. It is a pedal harp and the pedals change the pitch of the strings. The harp is made of Canadian maple and the sound board is made of spruce. The strings are made with a mixture of gut, nylon and brass. The red string is C and the blue string is F. Other colours represent other notes. Our Chairman said that this was the best description of a pedal harp that he had heard.
The concert ended with Jess’s arrangement of Sain-Saën’s “Le Cygne” from the Carnival of the Animals. The saxophone is well suited to play the Swan and the harp sounded like running water.
This was a most enjoyable concert and the audience was most appreciative and enthusiastic.
CM
BIOGRAPHY – LAITON TRUMPET QUARTET
The Laiton Trumpet Quartet are Grace Harman, Erin McLellan, Charlotte Nuta and Isabel Thompson who have all recently graduated from The Royal Northern College of Music. The ensemble has enjoyed success performing in several lunchtime concerts in and around Manchester and the North West. They have taken part in masterclasses, coaching and performance within the RNCM. In June 2023 and 2024 the group made it to the finals of the RNCM Philip Jones Brass Prize and were commended for their innovative and creative programme. All four members of the Quartet are based in the North West and continue to perform as soloists in ensembles, workshop leading as well as teaching. It is regretted that Isabel Thompson will be unable to perform at this concert. The Quartet are very grateful to Seb Williman for stepping in to perform with them. Seb came to the Concert Club two years ago with Rosamund Brass, playing at that December concert.
PROGRAMME
Fanfare for an Angel – James Stephenson
Solitude – Duke Ellington arr. Murray Grieg
Amazing Grace – John Newton arr. Andrew Reid
The Lazy Trumpeter – Edrich Siebert
Someday my Prince will Come – Miles Davis arr. Erik Veldkamp
Intrada – Hansen arr. Murray Grieg
Away in a manger – tradition arr. Peter Graham
Chorale and Fugue – Bach arr. Henry Mancini
The Seal Lullabye – Eric Whitacre arr. Isabel Thompson
Part 1 Encore: Tico Tico
INTERVAL
Rockin Robin – Jackson 5 arr. Grace Harman
Georgia on my Mind – Ray Charles arr. Erin McLellan
Eleanor Rigby – John Lennon/Paul McCartney arr. Grace Harman
Killer Queen – Queen arr. Grace Harman
Someone to watch over me – George Gershwin arr. Joseph Turrin
Dynamite – Christopher Bond
The Seal Lullabye – Eric Whitacre arr. Isabel Thompson
Basin Street Blues – Louis Armstrong arr. Grace Harman
Have yourself a Merry Little Christmas – Frank Sinatra arr. Grace Harman
Caprice – Bernard Fitzgerald
Encore – Jingle Bells

The latest show from acclaimed musicians Chris Green and Sophie Matthews takes in 600 years of musical history in 90 minutes! Beginning in the Middle Ages and ending up in the 20th century (and incorporating everything in between!) this fun and fast-moving show is a whistle-stop tour of Western musical history.
Featuring long forgotten songs and tunes (not to mention jokes!) Chris and Sophie paint a vibrant and vivid picture of our musical DNA, mixing the familiar and the obscure, the raucous and the reflective and the courtly and the commonplace.
The show combines the vigour of the medieval period, the musical intricacy of the Renaissance, the grandeur of the Baroque and the pomp and bombast of Victoriana. Add to that the wit of Blackadder and 1066 And All That and the stage is set for a veritable musical feast!
Complete with a bewildering array of instruments such as cittern, rauschpfeife and virginal (and that’s just the first 100 years!), “A Brief History of Music” uses tunes, songs and humour to take you on a musical journey from
which you won’t want to return!
“You guys are awesome!” Bill Barclay, Director of Music at Shakespeare’s Globe
“Eclectic and enjoyable… a bewildering range of instruments” English Dance and Song Magazine
This concert was the penultimate one of the season and what an enjoyable concert it was. Australian, James Blackford plays the Euphonium, this is an instrument which looks like a small tuba and is sometimes called the tenor tuba. James is a winner of the Philip & Dorothy Green Award for Young Concert Artists, and on tonight’s showing is a worthy winner. Other winners of this prestigous award include Steven Isserlis, Elizabeth Watts and Craig Ogden.
James’s accompanist on the piano was Ruth Hollick. The first half of the concert was taken up by familiar works such as Villiers- Stanford’s Caoine a Clarinet Sonata and James played the second movement which has been arranged for the Euphonium. This was a delightful beginning to the concert. This was followed by Hummel’s Fantasy, James played the one on Mozart’s “Non piu andrai” (Figaro), Op.124. This was followed by the lovely Prayer, the first movement from Bloch’s A Jewish Life. Then we heard that wonderful Variations on a Rococo Theme by Tchaikovsky.
After the interval James and Ruth played for us Anthony Brahe’s Tour de Force, this music was written especially for James. It was indeed a a tour de force. This was followed by Piazzola’s tango Café 1930. Another treat followed, Martin Ellerby’s Euphonium concerto and we heard the 3rd and 4th movements. The last item on the Programme was Philip Spark’s Harlequin this piece was composed for and dedicated to the Euphonium virtuoso David Childs. It depicts the happy and sad masks of the Comedia dell’Arte, this features Harlequin as one of the main characters, the other eight are Zanni (Giovanni), Pantalone, il Dottore, Pulcinella, Columbina, il Capitano and Brighella. I enjoyed this piece very much and felt that it really showed off the versatility of the Euphonium. Judging by the whoops and loud clapping at the end, the audience felt the same.
We were treated to an encore – a very popular choice for a Lincolnshire audience – part of (another Australian), Percy Grainger’s Lincolnshire Poesy.
James was ably supported by Ruth who is a very fine pianist indeed and she was mentioned especially admiringly by a member of the Club that I met yesterday.
This was a very special concert.
CM
We are sorry to report that Chris Green and Sophie Matthews have had to cancel their proposed visit and give us their concert “A Brief History of Music”. However, we hope that they will be able to come to us next season. We are delighted that Tom Dale will appear instead. Tom is a very fine guitarist and members will recall that he has visited us previously as part of a guitar duo.
PROGRAMME
Sergei Prokofiev Sonata for violin and piano No.2 Op. 94a in D Major (24’)
I. Moderato
II. Presto
III. Andante
VI. Allegro con brio
César Franck Sonata for violin and piano in A major (29’)
I. Allegro ben moderato
II. Allegro
III.Ben moderato: Recitative-Fantasia
IV.Allegro poco mosso
Plus two smaller pieces:
Lili Boulanger 2 Morceaux: Nocturne and Cortège (5’)
Maurice Ravel – Tzigane
Biographies
Amber Emson, Violin
Amber (18) started playing violin at the age of 5 as a pupil of Margaret Norris and later Natasha Boyarsky; in 2009 she joined RAM’s Junior Department. As a student at Chetham’s School of Music 2014-16, she won the school’s Concerto Competition resulting in a performance of Mendelssohn’s Violin Concerto with Chetham’s Sinfonia at Manchester Cathedral, and the Catherine Perkins Chamber Music Prize. Between 2016 and 2019 Amber was member of the Royal College of Music’s Junior Department continuing her violin lessons
with Maciej Rakowski. Since 2020 she studies at the Royal Academy of Music under the tutelage of So-Ock Kim. Amber actively participated in a number of mastercourses, amongst these with Pavel Vernikov, Maurizio Fuks (International Violin Mastercourse Kronberg Academy) and Kolja
Blacher (Carl Flesch Akademie Baden-Baden). In 2018, Amber was awarded the 2nd prize at the X. International Competition for Violin and Viola “Szymon Goldberg” in Meissen. In June 2019 she won 1st prize in the National Round
of Germany’s “Jugend Musiziert” competition, and in the same year she won 1st prize at the International Music Competition Hohenpriessnitz.
Invitations to perform as soloist with orchestras included Lalo’s Symphonie Espagnole with the Orchestra of the City, the Sussex Concert Orchestra and with the Richmond Orchestra. In June 2019 she was invited as soloist of Paganini’s Violin Concerto No 2 with Reed’s School Orchestra at Cadogan Hall, followed by Mendelssohn’s Violin Concerto with Sussex Concert Orchestra in Bexhill Festival, with Worthing Philharmonic Orchestra and, in November 2021,
with Sutton Symphony Orchestra. In November 2019 she made her debut playing Dvorak’s Violin Concerto with Enfield Chamber Orchestra. In 2020/21, Amber returned to Richmond Orchestra as a soloist, performing Sibelius’ Violin Concerto. Amber is a passionate chamber musician; together with her duo partner cellist Willard Carter, she won the RCM JD Chamber Music Competition and performed at the Wigmore Hall in June 2017 as part of their annual Young Artists’ showcase concert. Amber participated in the ‘Mit Musik – Miteinander’ Chamber Music course at Kronberg Academy in September 2018. Since August 2019, she is a member of LGT Young Soloists, performing in major concert halls worldwide as a soloist as well as part of the group. Recent tours have
taken her to Rheingau Musikfestival, Elbphilharmonie Hamburg, Berliner Philharmonie and Musikverein Wien, as well as a 2.5 weeks’ tour to Asia (Hong Kong, Singapore, Bangkok, Jakarta) and a CD recording. During the years, Amber’s musical activities have been supported by generous grants from
Awards for Young Musicians, EMI Music Sound Foundation, the Gerald Finzi Trust, the Rhona Reid Charitable Trust, the Nicholas Boas Charitable Trust, the Humphrey Richardson Taylor Charitable Trust, the Kathleen Trust and the Spoff’s Chamber Music Scholarships; she is a 2017, 2018 and 2019 Junior Scholarship recipient at the Hattori Foundation. Amber plays on a fine violin by Matthew Taylor from 1806.
Leah Nicholson, Piano
Leah Nicholson was born in 2001 and began studying with Galina Sandovskaya in St Petersburg, Russia, before continuing her musical education at Chetham’s School of Music in the UK with John Gough and Dr Murray McLachlan.
In 2018 Leah was awarded a Fellowship of the Royal Schools of Music in Solo Piano Performance Diploma (FRSM with Distinction) and has since won a scholarship to further her studies at the Royal Academy of Music in London, where she is studying with Professor Tessa Nicholson. She has won top prizes at numerous competitions internationally and throughout the UK, including the 2014 International Chopin Festival in Mazovia, Poland, Polyphonica International Competition in St. Petersburg, Russia, the Scottish International Youth Piano Competition, the Loretto James Waterhouse Piano Competition, EPTA Piano Competition UK and Chetham’s Bösendorfer Piano Competition. Leah is also the youngest ever winner of the Keldwyth Young Musicians Award.
Leah frequently performs in concerts and has appeared in many venues across Europe including the Wigmore Hall in London, Steinway Hall (UK), Sage Gateshead in Newcastle, Bridgewater Hall and Stoller Hall in Manchester, Petrikirche in St. Petersburg, Russia, and Kadriorg Palace in Tallinn, Estonia. As a result of winning Chetham’s Concerto Competition, she performed Rachmaninov’s Piano Concerto No.2 with Chetham’s Orchestra conducted by
David Chatterton, and has also performed Tchaikovsky’s Piano Concerto No.1 and Rachmaninov’s Piano Concerto No.3 under the baton of conductors such as Ryan Bancroft and Leon Reimer. As a developing artist, Leah has performed in masterclasses for renowned artists such as Christopher Elton, Stephen Hough, Noriko Ogawa, John Gough, Ory Shihor, Peter Frankl, Eugen Indjic, Pas

Parking is available at the Rowley Road entrance PE21 6JE. Tickets are £12 in advance or at the door. Children and Students have free entrance to all concerts. To order a ticket in advance please telephone 01205 366018 or send your details to bostonconcertclub@gmail.com
BIOGRAPHY OF ANTOINE PRÈAT
Antoine is a Winner of the Philip and Dorothy Green Award 2020 and a City Music Foundation Artist, Franco-Belgian pianist Antoine Préat is a young artist to watch.
London-based for several years, Antoine has been invited to perform in prestigious venues including the Wigmore Hall, St John’s Smith Square, Salle Gaveau, Salle Cortot, Paris Beaux Arts Museum, Frederyk Chopin Insitute, as well as festivals such as the Nohant Chopin Festival, Lisztomanias, Chopin à Bagatelle, Les Nuits du Piano in Paris, IMS Open Chamber Music at Prussia Cove and Encuentro de Santander. He has appeared on BBC Radio 3, France Musique, Scala Radio and TRT Radio 3.
Antoine has performed alongside leading artists and orchestras including Maté Szücs, Manuel Blanco, Sinfonietta Lausanne, Lesley Hatfield, Robin Ireland, the Centre de Musique de Chambre de Paris, Sainsbury Soloists, Academy Festival Orchestra, University Orchestra of Alicante and London Student Orchestra. He is also a founding member of Trio Cordiera with whom he performs regularly.
Throughout his career, Antoine has also been fortunate to receive guidance from Philippe Cassard, Cedric Pescia, Thomas Adès, Robert Levin, Jerome Lowenthal, Richard Goode, Imogen Cooper and Stephen Hough.
After graduating with honours from the Ecole Normale de Paris where he studied with Liudmila Berlinskaia and Guigla Katsarava, Antoine furthered his studies at the Royal Academy of Music under the tutelage of Tatiana Sarkissova and Christopher Elton, while studying harpsichord and fortepiano under the guidance of Carole Cerasi.
Antoine was awarded the first prize of the Concours international d’Ile de France and the Los
Angeles Colburn Piano Festival Competition, the honour prize at the New York Début Piano Competition and most recently was a semifinalist at the Clara Haskil Competition 2021.
Antoine is generously supported by Talent Unlimited, the Munster Derek Butler Award, Hattori Foundation and the Winifred Christie Trust Award.
PROGRAMMME
Rameau – Suite en Sol
Schumann – Papillons op 2
Debussy – Images Book I
INTERVAL
Brahms – Klavierstucke op 119
Debussy – Images Book II
Faure – 3 Songs without words
The new season begins on 10th October at 7.30 pm. We welcome back Antoine Préat, pianist who will play music by Schumann, Debussy, Brahms and Fauré.
On 21st November we welcome back the Woodwind Trio, “Trio Volant” who will play music by Rossini, Beethoven, Canteloube, Mozart and Milhaud.
19th December “Cao Trio” a flute duo and piano who appear by kind permission of the Royal Northern College of Music.
16th January 2024 Amber Emson, violin and Leah Nicholson, piano playing Sonatas for violin and piano by Sergei Prokofiev and Cesar Franck.
20th February James Blackford, euphonium with piano accompanist. James is a Young Musician and winner of the Philip & Dorothy Green Award for Young Concert Artists.
19th March “A Brief History of Music” with Chris Green and Sophie Matthews. 600 years of musical history in 90 minutes.
All concerts are at the Boston Grammar School PE21 6JE and there is ample parking at the entrance off Rowley Road.
Tickets are £12 in advance or at the door. Children and Students have free admission.
There will be further details on this web site as and when we know the full programmes.
Passacaglia Trio
Annabel Knight – baroque flute, recorders
Robin Bigwood – harpsichord
Reiko Ichise – viola da gamba
PROGRAMME
GF Handel (1685 – 1759)
Sonata in G major for flute and basso continuo HWV 363b
Adagio – Allegro – Adagio – Bourée Anglaise – Minuetto
CPE Bach (1714 – 1788)
Les Folies d’Espagne wq 118/9
Anon
Green Sleeves to a Ground, from the First Part of the Division Flute
(1701)
GP Telemann (1681 – 1767)
Trio Sonata for recorder, viola da gamba and basso continuo TWV
42:F3
Vivace – Mesto – Allegro
Interval
JS Bach (1685-1750)
Sonata in G major for viola da gamba and basso continuo BWV 1027
Adagio – Allegro ma non Troppo – Andante – Allegro Moderato
F Couperin (1668 – 1733)
Les Barricades Mystérieuses from Ordre 6ème de clavecin
CPE Bach
Trio sonata in F major for bass recorder and viola da gamba Wq 163
Un poco andante – Allegretto – Allegro
Anna Bon di Venezia (1738-after 1769)
Sonata in G minor Op. 1 No. 5 for flute and basso continuo
Allegro – Andante staccato – Allegro